[101] Here, she is an ambiguous trickster[34] who takes an appearance of an elderly woman (contrasting from the beautiful Lady Bertilak in a role evoking the loathly lady tradition[102]), as a test for Arthur and his knights and to frighten Guinevere to death. La vita segreta dei funghi", di Mer ... «Entangled Life, a book by Merlin Sheldrake, inspired Van Herpen’s collection on many levels. Chief among these are Medieval authors like the 12th-century Geoffrey of Monmouth, author of the The History of the Kings of Britain (Historia Regum Brittaniae) and of the stranger Life of Merlin (Vita Merlini). Depending on the manuscript, she is either the leading lady (usually, being recognised by Girflet as the one holding Arthur's hand as he enters the boat), a subordinate to another who is unnamed, or neither of them are superior. [15] Proponents of this have included Roger Sherman Loomis, who doubted the Muirgen connection. The Templar Code for Dummies by Christopher L. Hodapp also names Glastonbury Tor as one of the possible locations of the Holy Grail, likely because of its proximity to the monastery that housed the Nanteos Cup. [119] In the 15th-century Valencian romance Tirant lo Blanc, the noble Queen Morgan searches the world for her missing brother; finally finding him entranced in Constantinople, Morgan brings Arthur back to his senses by removing Excalibur from his hands, after which they leave to Avalon. However, disaster strikes when the sight of Lancelot's frescoes and Morgan's confession finally convinces Arthur about the truth to the rumours of the two's secret love affair (about which he has been already warned by his nephew Agravain). Morgan le Fay (/ ˈ m ɔːr É¡ ən l ə ˈ f eɪ /, meaning "Morgan the Fairy"), alternatively known as Morgan[n]a, Morgain[a/e], Morg[a]ne, Morgant[e], Morge[i]n, and Morgue[in] among other names and spellings (Welsh: Morgên y Dylwythen Deg, Cornish: Morgen an Spyrys), is a powerful enchantress in the Arthurian legend.Early appearances of Morgan do not elaborate her … [9][69] Opinions are also divided regarding Morgan's intentions and whether she succeeds or fails,[104] and how the story's shapeshifting and enigmatic Morgan might be, or might be not, also Lady Bertilak herself. [71] Morgan then either undertakes or continues her studies of dark magic under Merlin, enamored for her, the details of which vary widely depending on the telling. [109] The fairy queen Lady Morgan (Dame Morgue, Morgue li fee) shows up in Adam de la Halle's late-13th-century French story Jeu de la feuillée, in which she visits a contemporary Arras. [41] The three enchantresses "knew so much about magic, they enjoyed one another's company and always rode together and ate and drank together." With the entire court of Camelot in attendance, the boat containing Elyan's body was set adrift on the lake. Twenty years after the Sidhe elder implanted a Sidhe into the infant Princess Elena, transforming her into a changeling, Elena traveled to Camelot with her father, Lord Godwyn, to arrange a marriage between her and Prince Arthur. Geoffrey's description of Morgen and her sisters in the Vita Merlini closely resembles the story of the nine Gaulish priestesses of the isle of Sena (now Île de Sein) called Gallisenae (or Gallizenae), as described by the geographer Pomponius Mela during the first century, strongly suggesting that Pomponius' Description of the World (De situ orbis) was one of Geoffrey's prime sources. Once Elena was married to Arthur, the fairy inside her would emerge and take her over completely, thereby allowing a Sidhe to become Queen of Camelot. Since then she’s been spending 300 days a year scouring the globe on her mission to spread hope for future generations. "Morgan le Fay: Goddess or Witch?". Though Aulfric had no hope of changing his fate, the elders were willing to reopen the gateway to Avalon for Sophia if they were offered the soul of a mortal prince. Though it was soon apparent that neither Arthur nor Elena had any interest in one another, Uther and Godwyn remained determined to unite their kingdoms through the match, prompting Elena's nursemaid, Grunhilda, (a pixie in disguise), to meet with the Sidhe elder at the Lake of Avalon. [29][106][107] Morgan is named Dioneta in the 14th-century Welsh text known as The Birth of Arthur, where she is a sister of both Gwyar (Morgause) and Gwalchmei (Gawain), as well as of the other sisters Gracia and Graeria, and is sent off by Uther to Avallach (Avalon). The Gates of AvalonExcaliburThe Lady of the LakeThe ChangelingThe Coming of Arthur: Part TwoLancelot du LacThe Dark Tower (episode)The Diamond of the Day: Part Two The spell he used restored Lancelot to his true self and unexpectedly revived him for a brief moment, which the former knight used to thank Merlin before he quietly passed on. They often feature Morgan as a lover and benefactor (and sometimes opponent, especially when being turned down) of various heroes, sometimes also introducing her additional offspring or alternate siblings, or connecting her closer with the figure of the Lady of the Lake. Pursued by Arthur for her betrayal, Morgan throws the scabbard into a lake, before temporarily turning herself and her entourage to stone, the sight of which makes Arthur think they have been already punished by God. [99] Middle English romance Arthour and Merlin, written around 1270, casts a villainous Morgan in the role of the Lady of the Lake and gives her a brother named Morganor as an illegitimate son of King Urien; her wondrous castle Palaus is built mostly of crystal and glass. For this reason Aulfric and Sophia journeyed to Camel… Morgan has also been often linked with the supernatural mother Modron,[7][20] derived from the continental mother goddess figure of Dea Matrona and featured in medieval Welsh literature. [17] As Orvan the Fairy (Orva la fée, likely a corruption of a spelling such as *Morgua[a] in the original-text),[38] there she first lustfully[39] loves the Trojan hero Hector and gifts him a wonderful horse, but then pursues him with hate after he rejects her. [110] Spanish public edicts dating from the end of the 14th and the beginning of the 15th century tell of the belief in Morgane continuing to enchant and imprison people at Tintagel and in "the Valley of False Trickery".[111]. There, and in the early chivalric romances by Chrétien de Troyes and others, her chief role is that of a great healer. Charlotte Spivack, Roberta Lynne Staples. There, they lure and ensnare many hundreds of young and attractive knights, who then spend the rest of their lives in the palace. [41] Conversely, a 14th-century Middle English version of the Vulgate Mort Artu known as the Stanzaic Morte Arthur makes Morgan an unquestionably good sister of Arthur, concerned only about his honour in regard to the affair of Lancelot and Guinevere. The lake was the only known gateway to the fallen outside of the Pool of Nemhain, and was the final resting place of Freya, Lancelot, Elyan, and Arthur Pendragon. Entering her boat (she is not named in the scene, but addresses him as her brother), Arthur believes he is going to be healed, yet his tomb is later discovered by Bedivere. However, her treacherous attempts to bring about Arthur's demise in the Suite are repeatedly frustrated by the king's new sorceress advisor Ninianne (the Lady of the Lake). Merlin van Rissenbeck: „Bilder im Kopf. [108] In Thomas III of Saluzzo's Le Chevalier Errant, la fée Morgane holds the eponymous Wandering Knight captive inside a magnificent castle in her forest land Païenie ("Pagania"), but after her brother Arthur sends messengers she agrees to lift her enchantment and let him go. It is always difficult saying goodbye to someone we love and cherish. [29][41], Speculatively, Loomis and John Matthews further identified other perceived avatars of Morgan as the "Besieged Lady" archetype in various early works associated with the Castle of Maidens motif, often appearing as (usually unnamed) wife of King Lot and mother of Gawain. After Morgana directed the Shade Lancelot to commit suicide, Arthur ordered that the former knight be given a proper burial. Morgan first appears by name in Vita Merlini, written by Norman-Welsh cleric Geoffrey of Monmouth. Visszatérés a(z) „Jan Merlin” laphoz. Many publications, blogs, articles, books, photos, etc. In some of the later works, she is also subversively working to take over Arthur's throne through her mostly harmful magic and scheming, including manipulating men. [34] In the Val sans Retour, Lancelot frees the 250 unfaithful knights entrapped by Morgan, including Morgan's own son Yvain and her former lover Guiomar whom she has turned to stone for his infidelity. However, despite all of their prior hostility towards each other and her numerous designs directed against Arthur personally (and his own promise to get a terrible revenge on her as long as he lives[58]), Malory's Morgan is still redeemed and is one of the four grieving enchantress queens (the others being Nimue, marking the end of conflict between her and Morgan,[96] and two of Morgan's allies, the Queen of the Northgales and the Queen of the Wasteland) who arrive in a black boat to transport the wounded king to Avalon in the end. She was totally indifferent as to whether she lived in the fire or, just as much at her ease, in the dew. [57] In the 13th-century chanson de geste of Huon of Bordeaux, she is a protector of the eponymous hero and the mother of the fairy king Oberon by none other than Julius Caesar. Morgan then captures Lancelot himself under her spell using a magic ring and keeps him prisoner in the hope Guinevere would then go mad or die of sorrow. It is based on the French prose romances, but here Morgan is a prophetic figure whose main role is to ensure the fulfilment of fate. [22] A fictionalised version of the historical king Urien is usually Morgan le Fay's husband in the variations of Arthurian legend informed by continental romances, wherein their son is named Yvain. [14] They first meet at Lot's funeral; after he teaches her so much she becomes "the wisest woman in the world", Morgan scorns and drives Merlin away by threatening to torture and kill him if he would not leave her alone, which causes him great sorrow out of his "foolish love" (fol amor) for her. She is now the leader of the four (not three) witch queens who capture Lancelot (the others being the Queen of the Northgales, the Queen of Eastland, and the Queen of the Outer Isles). The character Morgan le Fay has become ubiquitous in Arthurian works of the modern era, spanning fantasy, historical fiction and other genres across various mediums, especially since the mid-20th century. [126][127], The 14th-century Italian romance titled La Pulzella Gaia (The Merry Maiden)[128] features the titular beautiful young daughter of Morgana (Italian version of Morgan's name, here too also a sister of the Lady of the Lake) with Hemison. In Matteo Maria Boiardo's late-15th-century Orlando Innamorato, fata Morgana (initially as lady Fortune[140]) is beautiful but wicked fairy enchantress, a sister of King Arthur and a pupil of Merlin. In the poem's prose version and its continuations, she has at least two elder sisters (various manuscripts list up to five daughters and some do not mention Morgan being a bastard child[14]): Elaine of Garlot and the Queen of Orkney sometimes known as Morgause, the latter of whom is the mother of Arthur's knights Gawain, Agravain, Gaheris and Gareth by King Lot, and the traitor Mordred by Arthur (in some romances the wife of King Lot is called Morcades, a name that R. S. Loomis argued was another name of Morgan[66]). je eigen pins op Pinterest. [14] The most famous and important of these machinations is introduced in the Post-Vulgate Suite, where she arranges for her devoted lover Accolon to obtain the enchanted sword Excalibur as well as its protective scabbard, which has been previously confided to Morgan by Arthur himself as he had trusted her even more than his wife, replacing the real ones with fakes. When the boat was some distance away, he used his magic to set it aflame, thereby giving Freya a Viking funeral. [36] In creating this Virgin Mary-type[5] character and her sisters, Geoffrey might have been influenced by the first-century Roman cartographer Pomponius Mela, who has described an oracle at the Île de Sein off the coast of Brittany and its nine virgin priestesses believed by the continental Celtic Gauls to have the power to cure disease and perform various other awesome magic, such as controlling the sea through incantations, foretelling the future, and changing themselves into any animal. [30] Morgan retains this role as Arthur's otherworldly healer in much of later tradition. Pagina creata per tutti i fans della meravigliosa coppia Demelza/Ross della serie TV Poldark. Mentions: This version of Morgan (usually named Morgane or Morgain) first appears in the few surviving verses of the Old French poem Merlin, which later served as the original source for the Vulgate Cycle and consequently also the Post-Vulgate Cycle. In it, a love of Morgan (Morgue) is Guigomar (Guingomar, Guinguemar), the Lord of the Isle of Avalon and a nephew of King Arthur, a character derivative of Guigemar from the Breton lai Guigemar. [58] Unlike Malory's Nimue, Morgan deals mostly in "black" rather than "white" magic, employed usually through enchantments and potions. [3][4] As her epithet "le Fay" (invented in the 15th century by Thomas Malory[5] from the earlier French la fée, "the fairy"; Malory would also use the form "le Fey" alternatively with "le Fay"[6]) and some traits indicate, the figure of Morgan appears to have been a remnant of supernatural females from Celtic mythology, and her main name could be connected to the myths of Morgens (also known as Mari-Morgans or just Morgans),[7] the Welsh and Breton fairy water spirits related to the legend of Princess Dahut (Ahes). Vita Vea: Pos: DT, Career: 34 G, 1 TD, Buccaneers 2018-2020, born CA 1995 Her prominence increased over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the Lancelot-Grail and the Post-Vulgate Cycle. In an episode that had been first introduced by the anonymous writer of the earlier Prose Lancelot, Lancelot rescues Elaine of Corbenic from being trapped in an enchanted boiling bath by Morgan and the Queen of the Northgales, both envious of Elaine's great beauty (echoing Circe's treatment of Scylla[14]). Take your favorite fandoms with you and never miss a beat. But one day, he wanders into Morgan's remote castle while on a hunting trip, and they meet and instantly reconcile with each other. Morgan le Fay, for example, was portrayed in Geoffrey of Monmouth's 1150 work Vita Merlini as the chief of nine magical sisters who dwelt on the island, all of them skilled in healing. [79] Her daughter also appears, as Gaia Donzella, in the Tavola Ritonda, where she is kidnapped by the knight Burletta of the Desert (Burletta della Diserta) who wants to rape her but she is rescued by Lancelot. It was only accessible to those with powerful magic, possibly beyond the abilities of most human sorcerers. [129][130] The 15th-century Italian manuscript La Tavola Ritonda (The Round Table) too makes Morgan a sister to the Lady of the Lake as well as to Arthur. She learns more spells than any other woman, gains an ability to transform herself into any animal, and people begin to call her Morgan the Goddess (Morgain-la-déesse, Morgue la dieuesse). [55] Loomis also linked her to the eponymous seductress evil queen from The Queen of Scotland, a 19th-century ballad "containing Arthurian material dating back to the year 1200. As part of her convoluted plan, both Arthur and Accolon are spirited away from their hunt with Urien by a magical boat of twelve damsels. Morgan le Fay (/ˈmɔːrɡən lə ˈfeɪ/, meaning "Morgan the Fairy"), alternatively known as Morgan[n]a, Morgain[a/e], Morg[a]ne, Morgant[e], Morge[i]n, and Morgue[in] among other names and spellings (Welsh: Morgên y Dylwythen Deg, Cornish: Morgen an Spyrys), is a powerful enchantress in the Arthurian legend. [14][59] Beginning as an erratic ally of Arthur and a notorious temptress opposed to his wife and some of his knights (especially Lancelot) in the original stories of the Vulgate Cycle, Morgan's figure eventually often turns into an ambitious and depraved nemesis of King Arthur himself in the Post-Vulgate. It was written c. 1200 by the French knight-poet Robert de Boron, who described her as an illegitimate daughter of Lady Igraine with an initially unnamed Duke of Tintagel, after whose death she is adopted by King Neutres of Garlot. Her character may have been rooted in Welsh mythology as well as other earlier myths and historical figures. Her common image is now a malicious and cruel sorceress, the source of many intrigues at the royal court of Arthur and elsewhere. R P VALVES LIMITED | 11 followers on LinkedIn. When Merlin accompanied Arthur on his quest to recover the Fisher King's trident, the Fisher King gave him a glass vial containing water from the Lake of Avalon. 50+ videos Play all Mix - FRANCO DE VITA Y JOSE LUIS PERALES EN UN 5+5 YouTube Camilo Sesto, Leo Dan, Roberto Carlos, Julio Iglesias, Jose Luis Perales, Leonardo Favio, Jose Jose - Duration: 1:30:47. Some early legends claimed that Merlin was the son of a demon and of a human woman. Merlin, as King Arthur's adviser, prophet and magician, is basically the creation of Geoffrey of Monmouth, who in his twelfth-century History of the Kings of Britaincombined the Welsh traditions about a bard and prophet named Myrddin with the story that the ninth-century chronicler Nennius tells about Ambrosius (that he had no human father and that he prophesied the defeat of the … [14] In any case, having finished her studies under Merlin, Morgan begins scheming her vengeance as she tries to undermine virtue and achieve Guinevere's downfall whenever she can. [144] In Edmund Spenser's English epic poem The Faerie Queene (1590), Argante (Layamon's name for Morgan) is lustful giantess queen of the "secret Ile", evoking the Post-Vulgate story of Morgan's kidnapping of Sir Alexander. [34] Malory mentions Arthur's attempts to conquer at least one of her castles, which originally had been his own gift to her, and which he could not retake (apparently due to magical defences[92]). This late 12th-century text is purportedly addressed to her court official and tells of the story of a knight called Piers the Fierce; it is likely that the author's motive was to draw a satirical moral from the downfall of the English knight Piers Gaveston, 1st Earl of Cornwall. Nevertheless, Alexander promises to defend her castle of Fair Guard (Belle Garde), where he has been held, for a year and a day, and then dutifully continues to guard it even after the castle gets burned down;[41][83] this eventually leads to his death. Another is the rescued-but-abducted young Alexander the Orphan (Alisaunder le Orphelin), a cousin of Tristan and Mark's enemy from a later addition in the Prose Tristan as well as the Prophéties de Merlin, whom she promises to heal but he vows to castrate himself rather than to pleasure her. After a period of being largely absent from modern culture, Morgan's character again rose to prominence in the 20th and 21st centuries, appearing in a wide variety of roles and portrayals. The earliest spelling of the name (found in Geoffrey of Monmouth's Vita Merlini, written c. 1150) is Morgen, which is likely derived from Old Welsh or Old Breton Morgen, meaning "Sea-born" (from Common Brittonic *Mori-genā, the masculine form of which, *Mori-genos, survived in Middle Welsh as Moryen or Morien; a cognate form in Old Irish is Muirgen, the name of a Celtic Christian shapeshifting female saint who was associated with the sea). [135], Morgan le Fay, or Fata Morgana in Italian, has been in particular associated with Sicily as a location of her enchanted realm in the mythological landscape of medieval Europe (at least since the Norman conquest of southern Italy),[136] and local folklore describes her as living in a magical castle located at or floating over Mount Etna.
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