Fast and free shipping free returns cash on delivery available on eligible purchase. On July 1,1962, duly armed with … Pantheon. [2] Document type Article Language German Classification Francis 540 Repertory of art and archaeology / 540-484 19th and 20th centuries Discipline Art and archaeology Origin George Grosz. 1917/18. Stuttgart, Staatsgalerie. Its dedicatee was still alive (if institutionalised) at the time - German writer Panizza died #OTD in 1921; this painting captures the mood of his 1894 play 'Das Liebeskonzil'.” “Widmung an Oskar Panizza” (“Dedicated to Oskar Panizza” (The burial of the poet Oskar Panizza) ). “'Widmung an [dedication to] Oskar Panizza' by Georg Grosz, 1917/1918, also known as 'The Funeral'. The Funeral (often attributed as The Funeral (Dedicated to Oskar Panizza)) is a painting by the German Expressionist artist George Grosz completed between 1917 and 1918. Consign with Artsy. Buy Visionen: Erzahlungen und Skizzen by Panizza, Oskar online on Amazon.ae at best prices. 140 × 110 cm. Other works by George Grosz. The Funeral (often The Funeral (Dedicated to Oskar Panizza)) is a painting by the German Expressionist artist George Grosz, completed between 1917 and 1918.The work combines elements of Futurism and Cubism to show a funeral procession in a modern urban city, as an infernal abyss populated by twisted and grotesque attendants. Jan 19, 2018 - From Erich Lessing Culture and Fine Arts Archive, George Grosz, Der Leichenzug, Widmung an Oskar Panizza (The Funeral, Dedicated to Oskar Panizza) (1917-19… - AKG150449 Grosz / Dedicated to Oskar Panizza Grosz, George 1893–1959. Der Leichenzug, Widmung an Oskar Panizza (The Funeral, Dedicated to Oskar Panizza), 1917-1918. 55 1/10 × 43 3/10 in. Want to sell a work by this artist? The same spirit haunts Widmung an Oskar Panizza (1917–1918; Homage to Oskar Panizza), which expresses his disgust with war and his hatred of the Catholic Church and the political authorities. The work mixes elements of Futurism and Cubism [1] to show a funeral procession, set in a modern urban city, depicted as an infernal abyss filled with twisted and grotesque human forms. been impressed by Georg Grosz's painting "Widmung an Oskar Panizza" (1917/ 18) in the Staatsgalerie Stuttgart, obtained permission from Panizza's niece in Minster to reprint 300 copies of Das Liebeskonzil for his own Petersen Press. Gesellschaftskritische Allegorie als Selbstprojektion Author HEUSINGER VON WALDEGG, J Source. Oil on canvas, 140 × 110cm. Nudo Femminile, 1922. From his ‘Triumph of Death’-like Widmung an Oskar Panizza, completed in June, to Gefährliche Strasse, made in July, and the great altarpiece Deutschland ein Wintermärchen, painted between August and November 1918, the similarities between these two artists’ work are many. Erich Lessing Culture and Fine Arts Archive. Oil on canvas. View all. 1986, Vol 44, pp 111-125. George Grosz, Widmung an Oskar Panizza (1917/18) Grosz' picture is another variation on the theme of the metropolis as an infernal abyss. Widmung an Oskar Panizza .
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